30/42
On his journey, panic is replaced by melancholy
Scenario
Edward, a civil servant, flees from his fiancée Molly on their wedding day in Rangoon in 1917. Molly, determined to get married, is amused by his escape and follows him through Asia. Official entry of Portugal for the Best International Feature Film category of the 97th Academy Awards in 2025.
The first chapter follows Edward as he flees from his fiancée Molly and embarks on a directionless journey
Miguel Gomes’ Grand Tour is a visually arresting film that feels like a love letter to Asia, celebrating its rich cultural heritage and landscapes. Each shot is carefully composed, with meticulous attention to framing and timing, creating a sense of immersion that invites the viewer into the world of the film. The use of real locations adds depth and authenticity, making the setting feel like an integral part of the story rather than just a backdrop.
This section feels disjointed and almost lost, much like Edward himself
It’s as if the film reflects his emotional state, wandering aimlessly with no clear path, letting chance encounters guide him. In contrast, the second chapter, which follows Molly’s determined pursuit of Edward, has a stronger sense of purpose. As she chases him through Asia, the narrative feels tighter, with more focus and direction.
Molly’s clear goal helps guide the audience on her journey, making it easier to connect with her
The dialogue, mostly in Portuguese, was a refreshing highlight, and I wished for even more of it. It’s rare that I see a film where Portuguese is the focus, and it adds another layer of uniqueness to the film. Ultimately, Grand Tour is a beautiful, thoughtful work, full of stunning imagery, soundtrack, and a clear sense of care in every frame.
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It’s clear why Gomes won Best Director at Cannes – his passion for the story and setting is palpable in every moment.